18th CENTURY STYLES
-Relative political calm allows for favorable productivity in Arts
-Ideas of human liberty and freedom seems to follow naturally from baroque Rationalism
Enlightenment thought
A review of Plato: appearances vs. reality; The Myth of the Cave
David Hume: challenges the certainty of human knowledge.
-empiricism leads to skepticism
- argues that causation is equivalent to a psychological perception that two events follow one another.
-***implication: order is in the mind and not in the matter
-we cannot know with certainty the outside world; we can only predict
Immanuel Kant: Humans’ ability to use Reason makes us able to get us beyond this world of appearances.
Kant, "What is Enlightenment?"
Do we need God to have morality?
Kant’s answer: humans legislate the moral law
-***Political implication: humans as able to transcend (i.e., go beyond world of appearances) and as able to legislate moral law deserve respect and freedom.
The purpose of government
Hobbes (1651) The Leviathan
-the monarch is the sovereign agreed upon by subjects who would otherwise pursue self-interest to everyone’s detriment.
-Cf. Frontispiece of The Leviathan 1651
-Without a sovereign to keep subjects in line, life would be "nasty, poor, brutish, and short."
John Locke (1690)
-humans are equal and free; they have the right to dissolve government
What are the duties of government?
Contemporary liberals
-government has duty to keep the peace, AND provide certain "safety net" services (e.g., unemployment insurance, healthcare, etc.)
Contemporary conservatives
-government has duty to keep the peace, AND to be as hands-off as possible with respect to other things
Adam Smith: The foremost proponent of "hands-off" laissez faire capitalism
-government should at least provide education
Rococo
-A stylistic reaction to the style of Louis XIV
-compare Hyacinthe Rigaud, Louis XIV with Antoine Watteau, L’indifferent
-but reactions are not always opposites!
"The rococo must be considered a modification or variation rather than a style in opposition to the baroque" –(Fleming, p. 462)
-Rococo is generally understood to be an interior style
-fr. rocaille means "rock" or "shell" widely used as interior decoration materials
-rococo is better suited for fashionable townhouse than palace hall, but it is used in both
Rococo architecture, decorative arts (Figs. 16.1® 16.6)
Rococo painting and sculpture
Antoine Watteau
-Music Party (Fig. 16.7)
-dimensions of painting (68.6 x 90.5 cm)
-brings social frivolity to level of great art
Francois Boucher
-Toilet of Venus
-robust love becomes subtle flirtation
Jean Honore Fragonard
-The Swing
-young aristocrat hides in shrubbery
Elisabeth Vigee-Lebrun
-Self Portrait
-painter was much in demand by aristocrats
Sensibility
-middle class cannot connect with rococo
Sensibility Painting
Sensibility Sculpture
Reactions to Enlightenment
1) Storm and Stress
-reaction to Enlightenment rationalism
Goethe: nature, emotion provide keys to understanding and not reason.
Faust
Henri Fuseli- Swiss born Storm and Stress artist
-The Nightmare (1781)
-The Blinded Polyphemus…(1803)
Edwards, "Sinners in the Hands of an angry God"
Images of damnation
Calvinist doctrine
-compare with Gislebertus (Ch. 6)
3) Sculptural Reaction
Music
Mozart
-Don Giovanni
Chinoiserie
Ideas
18th Century Rationalism