18th CENTURY STYLES

-Relative political calm allows for favorable productivity in Arts

-Ideas of human liberty and freedom seems to follow naturally from baroque Rationalism

 

Enlightenment thought

A review of Plato: appearances vs. reality; The Myth of the Cave

 

 

 

David Hume: challenges the certainty of human knowledge.

-empiricism leads to skepticism

- argues that causation is equivalent to a psychological perception that two events follow one another.

-***implication: order is in the mind and not in the matter

-we cannot know with certainty the outside world; we can only predict

 

 

Immanuel Kant: Humans’ ability to use Reason makes us able to get us beyond this world of appearances.

 

 

Kant, "What is Enlightenment?"

 

Do we need God to have morality?

Kant’s answer: humans legislate the moral law

-***Political implication: humans as able to transcend (i.e., go beyond world of appearances) and as able to legislate moral law deserve respect and freedom.

 

 

The purpose of government

Hobbes (1651) The Leviathan

-the monarch is the sovereign agreed upon by subjects who would otherwise pursue self-interest to everyone’s detriment.

-Cf. Frontispiece of The Leviathan 1651

-Without a sovereign to keep subjects in line, life would be "nasty, poor, brutish, and short."

 

John Locke (1690)

-humans are equal and free; they have the right to dissolve government

 

What are the duties of government?

Contemporary liberals

-government has duty to keep the peace, AND provide certain "safety net" services (e.g., unemployment insurance, healthcare, etc.)

 

Contemporary conservatives

-government has duty to keep the peace, AND to be as hands-off as possible with respect to other things

 

Adam Smith: The foremost proponent of "hands-off" laissez faire capitalism

-government should at least provide education

Rococo

-A stylistic reaction to the style of Louis XIV

-compare Hyacinthe Rigaud, Louis XIV with Antoine Watteau, L’indifferent

-but reactions are not always opposites!

"The rococo must be considered a modification or variation rather than a style in opposition to the baroque" –(Fleming, p. 462)

-Rococo is generally understood to be an interior style

-fr. rocaille means "rock" or "shell" widely used as interior decoration materials

-rococo is better suited for fashionable townhouse than palace hall, but it is used in both

 

Rococo architecture, decorative arts (Figs. 16.1® 16.6)

 

 

 

 

 

 

Rococo painting and sculpture

Antoine Watteau

-Music Party (Fig. 16.7)

-dimensions of painting (68.6 x 90.5 cm)

-brings social frivolity to level of great art

 

Francois Boucher

-Toilet of Venus

-robust love becomes subtle flirtation

Jean Honore Fragonard

-The Swing

-young aristocrat hides in shrubbery

Elisabeth Vigee-Lebrun

-Self Portrait

-painter was much in demand by aristocrats

 

 

Sensibility

-middle class cannot connect with rococo

 

 

Sensibility Painting

 

 

Sensibility Sculpture

 

 

Reactions to Enlightenment

1) Storm and Stress

-reaction to Enlightenment rationalism

Goethe: nature, emotion provide keys to understanding and not reason.

Faust

Henri Fuseli- Swiss born Storm and Stress artist

-The Nightmare (1781)

 

-The Blinded Polyphemus…(1803)

 

  1. Religious Reaction

Edwards, "Sinners in the Hands of an angry God"

Images of damnation

 

 

Calvinist doctrine

-compare with Gislebertus (Ch. 6)

 

3) Sculptural Reaction

 

 

Music

Mozart

-Don Giovanni

 

Chinoiserie

 

Ideas

18th Century Rationalism