ARISTOCRATIC BAROQUE STYLE: FRANCE, ENGLAND

 

The rise of France under Louis XIV

1660-1715: France’s golden age

culture, politics, achievement, influence

power and measures of it:

Colbert (Louis XIV’s finance minister): "apart from striking actions in warfare, nothing is so well able to show the greatness and spirit of princes than buildings; and all posterity will judge them by the measure of those superb habitations which they have built during their lives" (quoted in Fleming, p. 410).

 

King’s taste ® imposed on France (aesthetic absolutism)

-a top-down approach to arts: tends to minimize emotionalism

-with Colbert, minister, the sun king regularizes style through academics

-recall Plato Republic: the poets must be brought to bow to Reason

-artists cannot fully be trusted

-Philosophers (those best able to use Reason must decide what others can create and consume)

-Alan Keyes (from debate): "Philosophers in their closets" don’t move human hearts…

 

Film: Versailles

 

Painting

 

Peter Paul Rubens

Marie de’ Medici, Queen of France, Landing in Mersailles

-Mother of Louis XIII

-Rubens’ task: glorify a rather ordinary woman

-movement, diagonals, cut off figures implying continuation of scene

 

-Rubens vs. Poussin (Fleming, pp. 416-421, 435)

-Analyze according to:

-emotional expressiveness

 

 

-Rational rules and formulas

 

 

-academic baroque vs. free baroque

 

 

Claude Lorrain Disembarkation of Cleopatra at Tarsus 1647 (Fig. 14.14)

-Landscapes

-receding space; vividness recedes with depth

-characters have only incidental importance

 

Rationalism and the Baroque

Advances in science

 

-Galileo (1561-1642) Letter to the Duchess Christina of Tuscany

 

** Threat: science challenges the religious and humanistic view that humans are the sole purpose of creation.

-creationism vs. evolutionism

 

Test your senses:

 

-the world appears x, but it is really y.

 

BUT…BUT…BUT

-who figures out reality in spite of misleading appearances????

-Galileo’s answer: Humans using sense extension (e.g., telescope) and Reason.

Yeah!! Humans can access Nature more effectively.

 

-Isaac Newton Principia

-mass, force, momentum

-embraces "complete and systematic view of an orderly world based on mechanical principles, capable of mathematical proof, and evident by accurate prediction" (Fleming, p. 436).

 

Ignatius Loyola (Jesuits)


-"Soldiers of Christ"


- "If we wish to be sure that we are right in all things, we should always be ready to accept this principle: I will believe that the white that I see is black, if the hierarchical Church so defines it."

-**In a world where appearances may fool us (the world looks x way to us even though it really is not that way), we must be guided by spiritual authority.

-Obedience has its privileges!

 

Modern Philosophy

Rene Descartes ("The Father of Modern Philosophy")

-Can we really trust our sense?

-How do we know that we have knowledge?

-Knowledge cannot rest on perception!

-C.f. Copernicus, Galileo

-Method: doubt everything until certain proposition is arrived at

-Cogito, ergo sum® "I think, therefore I am"

 

Meditations overview

 

 

 

 

Francis Bacon

-In praise of the inductive, scientific method

-By divine bequest we have inherited power over nature

-But we must obey nature to command nature

-True philosopher (scientist) is more like a bee than an ant or spider: Why?

 

 

 

Order and the Order-ers

Deism- God orders the world and then withdraws himself

The Argument from Design (proponent: William Paley)- God orders the world in a way similar to but far exceeding the ways in which humans order their machines

Argument from Design questions (see Hume reading on website)

 

 

Louis XIV- orders his kingdom according to Reason; brings every aspect into unity

-Versailles is a metaphor

-feudal, decentralized government® modern, centralized state

-The Gardens of Versailles (Andre Le Notre)

-The ordering of Nature and simultaneous embrace of it

-logical system of terraces, avenues, pathways, clearings embellished by fountains, pools, canals, pavilions, and grottos

 

 

Versailles Palace 1669-85

-built on a wooded area 1/2 the size of Paris

-to be a symbol of supremacy of Louis XIV

-grand design is logical and symmetrical

-early example of urban planning

-vision of whole

-connection between units of living and nature

 

Film: Versailles

 

 

 

Music in France

Lully: French Opera

-writes incidental music for Moliere for some of his comic ballets

-later comes up with lyrical tragedy (e.g., Aceste)

 

Operatic Form

-opera form becomes crystalized early for 2 centuries

-form was aloof; for aristocratic class

 

England

-Charles I tries to assert absolute monarchy

-civil war follows

-Parliamentary rule is established: Charles I condemned to death

-But Oliver Cromwell alienates aristocracy

-COMPROMISE: limited monarch

 

Compromises characterize the English spirit (Fleming, p. 425, ¶2)

Architecture- St. Paul’s Cathedral (p., 425)

 

Music-

 

 

Drama, Music

Dryden

 

Purcell: English Opera

 

Handel: Opera, Oratorio

 

 

Ideas