ARISTOCRATIC BAROQUE STYLE: FRANCE, ENGLAND
The rise of France under Louis XIV
1660-1715: France’s golden age
culture, politics, achievement, influence
power and measures of it:
Colbert (Louis XIV’s finance minister): "apart from striking actions in warfare, nothing is so well able to show the greatness and spirit of princes than buildings; and all posterity will judge them by the measure of those superb habitations which they have built during their lives" (quoted in Fleming, p. 410).
King’s taste ® imposed on France (aesthetic absolutism)
-a top-down approach to arts: tends to minimize emotionalism
-with Colbert, minister, the sun king regularizes style through academics
-recall Plato Republic: the poets must be brought to bow to Reason
-artists cannot fully be trusted
-Philosophers (those best able to use Reason must decide what others can create and consume)
-Alan Keyes (from debate): "Philosophers in their closets" don’t move human hearts…
Film: Versailles
Painting
Peter Paul Rubens
Marie de’ Medici, Queen of France, Landing in Mersailles
-Mother of Louis XIII
-Rubens’ task: glorify a rather ordinary woman
-movement, diagonals, cut off figures implying continuation of scene
-Rubens vs. Poussin (Fleming, pp. 416-421, 435)
-Analyze according to:
-emotional expressiveness
-Rational rules and formulas
-academic baroque vs. free baroque
Claude Lorrain Disembarkation of Cleopatra at Tarsus 1647 (Fig. 14.14)
-Landscapes
-receding space; vividness recedes with depth
-characters have only incidental importance
Rationalism and the Baroque
Advances in science
-Galileo (1561-1642) Letter to the Duchess Christina of Tuscany
** Threat: science challenges the religious and humanistic view that humans are the sole purpose of creation.
-creationism vs. evolutionism
Test your senses:
-the world appears x, but it is really y.
BUT…BUT…BUT
-who figures out reality in spite of misleading appearances????
-Galileo’s answer: Humans using sense extension (e.g., telescope) and Reason.
Yeah!! Humans can access Nature more effectively.
-Isaac Newton Principia
-mass, force, momentum
-embraces "complete and systematic view of an orderly world based on mechanical principles, capable of mathematical proof, and evident by accurate prediction" (Fleming, p. 436).
Ignatius Loyola (Jesuits)
-"Soldiers of Christ"
- "If we wish to be sure that we are right in all things, we should always be ready to accept this principle: I will believe that the white that I see is black, if the hierarchical Church so defines it."
-**In a world where appearances may fool us (the world looks x way to us even though it really is not that way), we must be guided by spiritual authority.
-Obedience has its privileges!
Modern Philosophy
Rene Descartes ("The Father of Modern Philosophy")
-Can we really trust our sense?
-How do we know that we have knowledge?
-Knowledge cannot rest on perception!
-C.f. Copernicus, Galileo
-Method: doubt everything until certain proposition is arrived at
-Cogito, ergo sum® "I think, therefore I am"
Meditations overview
Francis Bacon
-In praise of the inductive, scientific method
-By divine bequest we have inherited power over nature
-But we must obey nature to command nature
-True philosopher (scientist) is more like a bee than an ant or spider: Why?
Order and the Order-ers
Deism- God orders the world and then withdraws himself
The Argument from Design (proponent: William Paley)- God orders the world in a way similar to but far exceeding the ways in which humans order their machines
Argument from Design questions (see Hume reading on website)
Louis XIV- orders his kingdom according to Reason; brings every aspect into unity
-Versailles is a metaphor
-feudal, decentralized government® modern, centralized state
-The Gardens of Versailles (Andre Le Notre)
-The ordering of Nature and simultaneous embrace of it
-logical system of terraces, avenues, pathways, clearings embellished by fountains, pools, canals, pavilions, and grottos
Versailles Palace 1669-85
-built on a wooded area 1/2 the size of Paris
-to be a symbol of supremacy of Louis XIV
-grand design is logical and symmetrical
-early example of urban planning
-vision of whole
-connection between units of living and nature
Film: Versailles
Music in France
Lully: French Opera
-writes incidental music for Moliere for some of his comic ballets
-later comes up with lyrical tragedy (e.g., Aceste)
Operatic Form
-opera form becomes crystalized early for 2 centuries
-form was aloof; for aristocratic class
England
-Charles I tries to assert absolute monarchy
-civil war follows
-Parliamentary rule is established: Charles I condemned to death
-But Oliver Cromwell alienates aristocracy
-COMPROMISE: limited monarch
Compromises characterize the English spirit (Fleming, p. 425, ¶2)
Architecture- St. Paul’s Cathedral (p., 425)
Music-
Drama, Music
Dryden
Purcell: English Opera
Handel: Opera, Oratorio
Ideas