LATE MEDIEVAL STYLES I
English Gothic
- Salisbury
- Set in park along river, the 404 ft. spire is tallest in
England
- Lacks a rounded apse; lacks ambulatory
- Wider design
- Flying buttresses were used only sparingly in England
- Haddon Hall in Derbyshire
- Overlooks pastures; set on the side of hill
- Book of Hours
: shows the banqueting entertainments that would have taken
place inside - Feast of Epiphany
- Army, Duke, Religious
- Geoffrey Chaucer’s Canterbury Tales
- English literature is thought to be more original and
creative than its sculpture and painting
- The Canterbury Tales’ subject is a group of
pilgrims’ stories and tales
- Pilgrims are going from London to Canterbury (to see
shrine of St. Thomas a Becket)
- Pilgrims are taken from the gambit of social classes
German Gothic
- Romanesque was dominant style of Germany
- Germany adopted the Gothic in time
- Cathedral at Ulm
reached 529 feet tall - Cathedral begun 1377 but the
spire was not completed until 1800s
- Naumberg Cathedral
- Ekkehard and Uta
- Aristocrat and his wife
- Shows increasing sense of humanism
- Bamberg Cathedral
- Bamberg Rider
Italian Gothic
- Tall spires do not fit in well with environment
- Frescos and mosaics were still popular, limiting the desire
to adopt extensive stained glass projects
- Why?
- Some say that the influence of antiquity abounds in Italy
- Others say that Italian nationalistic tendencies rejected
anything French
- Yet others, including Fleming, argue that the Italian
climate (it was sunny and ward) dictates that windows are to be
downplayed.
- Florence Cathedral
- Milan Cathedral
- Exhibits the most resemblance to French Gothic cathedrals
- Northern architects work on project
Cathedrals and Gargoyles
- Many Gothic cathedrals from all over Europe have gargoyles
- What purpose do they serve?
- Function: waterspouts
- why the design?
- They sometimes appear to be spitting water, vomiting water
(or excreting it), so why are they created on cathedrals?
- Do they represent devils and evil spirits excluded from
the church interior?
- -Or, devils forced into the service of the church?
- Perhaps they are just monsters put there to scare evil
spirits from the church.
- The influence of St. Francis of Assisi
- Canticle of the Sun
- Naturalism and spiritualism synthesis
- Didn’t God give Adam and Eve the natural world?
- But St. Francis never takes the focus from God as the
provider of this wonderful nature
- Basilica of St. Francis at Assisi
- Brother Elias- best way to honor Francis was to build a
monument
- Elias’s dissenters- best way to honor Francis was to live
correctly
- Materialism and spiritualism
Giotto
- Painted primarily murals; his name is found on murals at St.
Francis’s Basilica
- Miracle of the Spring
- Humanism alert: 1) Francis is at center, 2) Francis is
large in
comparison to mountains and landscape
- St. Francis Renouncing His Father and Worldly Gods
; Assisi
- What was the message of Christ after all?: self-denial,
world-denial, world-acceptance, kingdom-seeking, kingdom-anticipating, …
- Madonna and Child Enthroned
(1310); Florence - Realism; clothes, figure
- Pieta (Lamentation Over the Body of Jesus) (1305-6);
Padua
- Focus is not on center
- Position of characters expresses emotion
- Landscape and emotions convey naturalism and realism
Nicola and Giovanni Pisano
- Father and son, respectively
- Nicola Pisano, Annunciation and Nativity
(1259-60)
- Crowding of characters is a distinct Gothic style
- Realism and classicism anticipates Renaissance sculpture
- Giovanni Pisano, Nativity and Annunciation to
the Shepherds (1302-1310)
- Greater naturalism than his father’s sculpture
- Figures are less-crowded, thinner
Florentine Painting
Sienese Painting
- Duccio
- Simone Martini
- Lorenzetti Brothers
LATE MEDIEVAL STYLES II
Temperas on Wood (of Mary)
Dante’s Divine Comedy and the epic genre
- The epic genre: contains "hero of
superhuman caliber, dangerous journey, misadventures, divine dimension,
digressions, long speeches, vivid descriptions, and general lofty tone."
HOW TO CLASSIFY DANTE’S WORK…
- Components of Medieval style and concerns
- In its concern for salvation
- In its creative integration of Aristotelian cosmology in
Christian worldview
- Components of Renaissance
- In its creativity and non-reliance on the Church for visions
of
heaven and hell
- (He places popes, kings, contemporaries, and literary
figures in Paradise, Hell, and Purgatory)
The Black Death (bubonic, septicemic, pneumonic plagues)
- Before the Black Death
- 1301-1314: general shortage of food in Europe
- 1315-17: famine in Europe
- The disease and its effects
- Bubonic Plague- bite from flea ®
coughing, fever, swellings in groin or armpits (known as buboes), vomit
blood: 5 days to death
- Septicemic Plague- attacked the blood: swifter death
- Pneumonic Plague- airborne: 3 days to death
- 1331-2 Mongolia
- by 1347 Plague reaches Sicily, then quickly spreads through
undernourished Europe.
- Towns and cities were most affected
- In all, ~20 million people perish (1/4 to 1/3 of European
population)
- Some become more religious
- Some turn to lawlessness and debauchery
- Some blame the Jews, claiming that they poisoned wells; to
punish those at fault, Jews were burned and massacred
- The popes did speak out about this anti-Semitic behavior
- Medical faculty in Paris attributes the cause to the
planets Saturn, Jupiter and Mars combining to corrupt the air
- "Of all the people who held these various opinions, not all
of them died. Nor, however, did they all survive." –Giovanni Boccaccio,
The Decameron
Lasting effects of the Plague
- Worldview: neither religion, nor kinship bonds, nor Parisian
scientists could get through to the ordinary person frightened by the
Black Death
- "This scourge had implanted so great a terror in the hearts
of men and women that brothers abandoned brothers, uncles their
nephews, sisters their brothers, and in many cases wives deserted their
husbands. But even worse, and almost incredible, was the fact that
fathers and mothers refused to nurse and assist their own children, as
though they did not belong to them." - Giovanni Boccaccio, The
Decameron
-moral progression of Western Christianity had be towards
including ALL humanity in the bonds of kinship.
-The Plague challenges moral progression to core: digression to
selfishness?
- 1) end to labor shortage: short-term benefits to peasantry
- 2) Inheritance
- 3) But soon governments taxed workers more heavily
- 4) demand decreases and leads to other labor surpluses
- -------fall in wages, fall in
prices; economic hardship
- Art:
- Triumph of the Plague
, by F. Traini
Ideas