FLORENTINE RENAISSANCE
STYLE I
Parsing time, Parsing styles (~1400)
- Limitations of parsing styles
- Three major transitional figures
- The Paradox of the Church’s over-concern for secular issues
- The old problem again: What on earth is the kingdom of God?
- An acceptable answer?:
- A minimum ideal for this world?:
- Church should care about moral issues, fair-play in
economics, providing
for the poor, and at least working towards a world that is consistent
with
what is to come (St. Benedict: have your focus on spiritual things)
- What’s really going on:
- Clergy amasses worldly goods, political power, and seems
to
have little
concern for the downtrodden
- Popes get involved in military battles
- Church loses credibility; who assumes control?
- Economically- rise of merchant class
- Socially- return to classical idea that "man is the
measure
of all things"
(Cf. Protagoras)
Competition in sculpture
- 1401; six sculptors asked to submit bronze sculptures
portraying the
Sacrifice of Isaac
- Filippo Brunelleschi
- Lorenzo Ghilberti
- Ghilberti wins; goes to work on Baptistry panels for north
doors (20
over 24 years)
- East doors: 1425-1452
- Story of Adam and Eve
Brunelleschi after the competition: J
or L ?…
- Away with Donatello to Rome
- Brunelleschi’s Dome
- Brunelleschi’s attempt to design the Medici’s Palace
Architecture in Paintings
- Architecture is clearly an established, recognized art
form
with
an importance and value far beyond its pragmatic utility
Donatello
- "the immediate artistic ancestor of Michelangelo"
More sculptors: Pollaiuolo and Verrochio
- Antonio Pollaiulo, Hercules Strangling Antaeus
- Andrea Del Verocchio, David
Painting
- Atmospheric perspective- painting characters in space with
factors of
environment (e.g., light, mass, air):
- A feature of sculpture brought to painting
- Expulsion from the Garden : Brancacci Chapel
- Light- shadows, body, space, time (haste in leaving…)
- Nakedness in church? Yes, if the subject matter was
appropriate.
- Light- shadows
- Peter appears three times: spatial separation of scenes
- Mystic painter: "found angels as real as his fellow human
beings"
- Vision-like depiction
- Light and shadows are not as natural or prevalent as
Masaccio’s frescos
- Annunciation : Monastery of San Marco
FLORENTINE RENAISSANCE
STYLE II
Video questions for Art of the Western World: Early
Renaissance:
Describe the challenge that adding a dome to Florence cathedral
presented?
What is the general plan of Brunelleschi’s dome?
Describe the relationship between architecture and Florentine
Renaissance
painting.
Painting (revisited)
Mosaccio
Fra Angelico
Fra Filippo Lippi
-Worked with Fra Angelico
-Teacher of Botticelli
Benozzo Gozzoli
- Unlike Angelico, focus is on this world
- Why the well-to-do liked this story
- Piero Medici- Son of Cosimo; art patron- leads procession
Paulo Uccello
- Known for grappling with the problem of linear
perspective
(how
to use lines to create appearance of depth)
- E.g. Battle of San Romano
- Never solved the linear problem; and worse, focusing so
much
on the
problem of l. p. detracted from his development of light/shade and
depth
of characters (esp. horses)
Piero del Francesca
- Becomes master of linear perspective;
- Knowledgeable of atmospheric perspective
- But his figures are less naturalistic than Mosaccio
- Resurrection
- Baptism of Jesus